The art was at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. I, by process of elimination, am the common man. And what a phenomenal day! I took my youngest daughter there today, our last day of vacation, and (believe it or not) she was actually excited about going. It's an hour drive from my house over Route 43 into Stephentown, NY, and then Willimastown, and, despite the iron gray day punctuated by bouts of snow squalls, it was still pretty scenic and enjoyable.
Once there, we took advantage of the free admission (yes, free from November through May), got some soup in the museum cafe to fight off the chill, and each availed ourselves of the five dollar self-guided audio tour devices. Then we strolled. Strolled through hard wood floored galleries of some of the finest art to be seen in the upstate NY/New England area (outside of Boston). From Renoir to Degas to Monet, the heavy hitter Impressionists are well represented, but there is also a very nice selection of American masters, as well. Pieces by artists like Remington, Sargent, and Winslow Homer are all available for viewing, and the special exhibit on Toulouse-Lautrec was colorful, bright, and my personal favorite. In fact, my personal favorite in the collection, T-L's "Waiting," seen above, is featured prominently as you enter the third floor gallery. I could go on, but I won't. Go to this museum if you haven't yet. It is well worth the trip.
And in this age of pixels and electronic paint, there is something very magical about being surrounded by hand made, authentic, non-digitized art. Not that there's anything wrong with "new," in fact you can get a heaping helping of it just down the road in North Adams at Mass MoCA, but there is truly something about the masters that make us all humble, or common, or connected. Standing in the presence of my favorite piece, I became contemplative and was moved. And my daughter was, too, but only when she was admiring Degas's "Little Dancer, Aged Fourteen." She loved the real silk bow and authentic muslin tutu, and was outraged at the critics who found the little model's body ugly and flat. I didn't even know she had a thing for sculpture before we got there, but, as we admired the collections's bronzes and marbles, I could see it in her eyes. I learned something about her today that I hadn't known before, which is really very cool. So I suppose that's another reason to go...the bonding over art. Go figure. I guess art has something to say to forty year olds and eleven year olds alike after all, even in this age of text messages and IM's. Which commenced as soon as we got in the car for the ride home, but, for the few hours that we walked amid beauty, it was all magic.